On Emptiness

You know the feeling, even if you’ve never stopped to consider it.
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You know the feeling, even if you’ve never stopped to consider it.
You’ve felt it. The gentleness of space that exists between thought and word – the breath of possibility just before you write the next line, make the next mark. The pause between claps. The flicker between candle and flame. It is a space of pure potential.

Of endlessness. Existing somewhere beyond the now, the here, the tangibility of form. A fleeting sliver of light peeking though to the beyond.Imagine, what if we said to Emptiness, “Come stay a while, friend?” If we delighted in the shadow, not just the object?What might we find there if we allow ourselves to linger?Muzzumil Ruheel’s latest exhibition is a meditation on the beauty of emptiness, reinterpreting calligraphy into experimental forms that speak beyond words. In his hands, the shapes of language are transformed from a method of communication into a medium of raw primal emotion— to say what cannot be said, beyond the place where words fail.Blurring the repetition of form into a river of formlessness, he creates a liquid conversation between creation and destruction, presence and impermanence. Candle, meet flame. From emptiness, everything emerges.“On Emptiness: To Walk Between Candle and Flame” explores the humble patience of potential, the fleeting beauty of change, and the power of what waits in the spaces in between.It is a reminder that emptiness is not a lack of something, but an opening for what is to come.Complimenting Ruheel’s solo exhibition.